Zan Boag: You’re dealing on such a grand scale here that’s there’s almost no limit to the size of the project you could potentially undertake. Is that a little bit daunting – do you get overwhelmed by the vastness of the ocean?
Jason deCaires Taylor: You can’t comprehend the scale of working in the ocean – it’s like being asked to produce an installation in the desert. It’s so big, and that’s partly what dictated the direction of my work, from making small sculpture parks to...
Continue reading
Subscribe to New Philosopher for full access to this article and our archive.
Already a subscriber? Sign in




